تيك توك في مصر مقابل السعودية: الأرقام مش قريبة من بعض
Mahmoud Hawary
2026-08-31
المقالة دي لسه مترجمتش — المتن تحت بلغته الأصلية.
TikTok in Egypt vs TikTok in Saudi: The Numbers Are Not Close
I run TikTok campaigns in both markets. The gap between them is wider than any creative decision I have ever made, and if you plan a regional campaign as one campaign, that gap will quietly eat the budget.
Two accounts, two markets
Jamr, Saudi Arabia: 9,626 SAR across 7 campaigns, average CPM of 7.47 SAR, peaking at 472,000 impressions.
Stiefo, Egypt: TikTok campaigns delivering over 8.1 million impressions, running alongside Meta engagement campaigns buying interactions at 0.07 EGP.
Those are not comparable numbers on their face, which is exactly the point. Saudi inventory is priced in a market with far higher purchasing power and far more advertiser competition. Egyptian inventory is cheap by comparison and the available volume is enormous. The same creative budget produces completely different shapes of result.
What that means in practice
In Egypt, TikTok is a volume instrument. You can buy attention at a scale that is hard to buy anywhere else, and the constraint is almost never impressions, it is whether any of that attention converts. Eight million impressions is easy. Eight million impressions that produce sales is a different project.
In Saudi, TikTok is priced closer to Meta and behaves closer to Meta. A 7.47 SAR CPM is not cheap attention. It is competitive inventory where the creative has to earn its place, and where the person on the other end can actually afford the product.
Planning both from one budget line with one set of expectations is how regional campaigns fail. I have seen accounts pull out of Saudi because the CPMs looked bad next to Egypt, having never checked whether the Saudi traffic was converting at several times the rate.
Where TikTok and Instagram actually diverge
The two get discussed as interchangeable short-video surfaces. They are not.
TikTok rewards content that does not look like it came from a brand. Polished production actively hurts you there. The algorithm distributes aggressively to people who have never heard of you, which makes it strong for discovery and close to useless for working a small existing list.
Instagram is the opposite on both counts. Production quality helps, targeting is more precise, reach is more contained. Where TikTok finds you strangers, Instagram works the audience you have already touched.
That difference should decide which platform gets which job, and it rarely does.
The three seconds that decide everything
Whichever platform, the opening is the campaign. Not the offer, not the targeting, not the budget.
I have watched two versions of the same product video, identical after the first three seconds, differ by more than double in cost per result. The version that opened on the problem beat the version that opened on the product, every time I have tested it.
That is the most reliable pattern I have found across both platforms and both markets.
What I still test and what I stopped testing
Still testing: the opening three seconds, how the offer is framed, and whether the video opens on a person or on the product.
Stopped testing: trending audio. It helps organic reach. On paid placements I have never measured a difference that survived a second run.
A note on measurement
Both platforms report their own conversions generously. If TikTok says it drove 400 sales and your store dashboard shows 180 across all channels combined, believe the store.
I check platform-reported numbers against the backend before any budget decision, and the discrepancy is routinely large enough to reverse the decision.
Where this leaves you
Start in the market you understand, prove the creative angle works there, then port it. The angle usually transfers. The economics almost never do.
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